Posted by Brad Osborne on January 21, 2022 · 12 Comments
The lai is another French form. It is a nine-line poem or stanza that uses an “a” and “b” rhyme following this pattern:Â aabaabaab.
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Posted by Brad Osborne on January 14, 2022 · 14 Comments
With an Italian origin, the earliest known use of the ottava rima poetry form dates back to the fourteenth century, when the form was introduced into the Italian literary scene by poet Giovanni Boccaccio.
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Posted by Brad Osborne on January 7, 2022 · 15 Comments
Hay(na)ku is a simple poetic form, and it is also one of the newest.
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Posted by Brad Osborne on December 31, 2021 · 9 Comments
The huitain is actually a derivative of the French ballade. In fact, it is a complete 8-line poem composed of one ballade stanza.
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Posted by Brad Osborne on December 24, 2021 · 9 Comments
Some of you may have already guessed simply by the name, but the Hir A Thoddaid is a Welsh form.
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Posted by Brad Osborne on December 17, 2021 · 14 Comments
For the cascade poem, a poet takes each line from the first stanza of a poem and makes those the final lines of each stanza afterward. Beyond that, there are no additional rules for rhyming, meter, etc.
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Posted by Brad Osborne on December 10, 2021 · 12 Comments
Concrete poetry, sometimes referred to as âsculpted poetryâ, is one of the more experimental poetic forms available to poets.
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Posted by Brad Osborne on November 26, 2021 · 8 Comments
While reading âThe Best American Poetry 2007â, I came across this very different form of poetry referred to as an Anagram poem. I was intrigued by it but have avoided it, as any thought about writing in this form made me shiver with dread at the work that may be involved.
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Posted by Brad Osborne on November 19, 2021 · 14 Comments
Though similar in function, the elegy is distinct from the epitaph, ode, and eulogy: the epitaph is very brief; the ode solely exalts; and the eulogy is most often written in formal prose.
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Posted by Brad Osborne on November 12, 2021 · 23 Comments
âThe biolet was invented by the Brazilian poet Filinto de Almeida and first appeared in print in his book Lyrica in 1887. It is a six line poem, and like the triolet, the first two lines are repeated as the last two lines, however in reverse.”
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commonsensiblyspeaking 